Dance Luminary Matthew Ball on Demanding Roles and Social Media Scrutiny: 'I Don't Feel Precious About My Body'
Within the quiet ambiance of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is effortlessly upright, his limbs defined beneath a plain tee. On stage, dancers can appear as mighty gods, yet frequently in person they are small. Not so Ball, whose tall stature is one reason for his popularity for princely characters and pas de deux work. With fine features and intense eyes, there's a touch of Robert Pattinson about him.
A Seamless Ascent to the Top
Now 31, Ball is enjoying the crest of a career that has progressed smoothly. Raised in Liverpool, he faced little ridicule for his childhood passion in ballet. Joining the Royal Ballet School at 11, he graduated straight into the company and was promoted annually, reaching the top rank of lead dancer in 2018. He has relished taking on meaty dramatic roles, particularly the psychological angst found in Kenneth MacMillan's ballets.
"Your breath is short, your legs get heavy, but it’s really a mental fatigue."
His next starring role is as himself, in an "Evening With" event designed to offer intimate insights into a dancer's craft. He will guide the crowd through a role, showing his cognitive process while performance. Even in more comedic works, the test is significant. "A classic ballet is one of the toughest technically," he states.
The Psychological Game and After the Show Emotions
How does he feel following a show, when he has pulled it off? "It feels pretty good," he admits. "However because I'm trying to squeeze all the juice out of it, and get lost in the role, frequently I do feel embarrassed later. After an intense role I'm always like: Wow, what must people think?"
Offstage, Ball is reflective, polite, and quick to laugh at himself. Yet a dance maker previously remarked on a "sense of suffering in him." Is there? "I'm quite active in general, but I do have a melancholy streak," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for positive change."
Formative Drivers and Creative Inspirations
Ball's determination stemmed from early setbacks. Not doing well in contests at school made him "driven!" It was fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he remembers.
The next challenge is making his own choreography. In his view, "organic movement has value." "Challenging the conventions is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from literature, music, and painting.
Intimate Dance and Personal Partnership
He also is interested in presenting dance in smaller spaces. "It was just really exciting," he says of a previous show. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"
Ball has made duets with his partner, fellow principal Mayara Magri. The level of trust between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." They aren’t typically paired on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s biggest supporter."
Regarding Instagram and Bodily Image
On social media, followers can see clips from his dance films and photos that highlight a sculpted physique. Does he mind that the engagement can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to viewing Michelangelo’s David—something that can be interpreted on various levels.
Ball characterizes his early self as "desperate for success." Did it lived up to his expectations? "I feel very aware of how reality is a separate thing to the dreams you had as a child," he reflects. He likely has another ten years of dancing ahead. "I guess in the time to come, I want to be a bit more kind with myself."